Perfect Love Restored: The Language of Renewal in the Hymns of

Perfect Love Restored:

The Language of Renewal in the Hymns of Charles Wesley

Paul W. Chilcote

Restoration implies something lost and something found. The terms renewal, retrieval, recovery,

revival all point in the same direction: to be new again, to find again, to get again, to have life

again. In talking with a craftsman who restores vintage automobiles one day I learned that

restoration means more than just making a vehicle's exterior look nice. A full restoration

involves replacing nearly every part on the car with a newer, better working one, from the gauges

on the dashboard to the lining of the trunk walls. Such restoration entails a lengthy, painstaking,

and often complex, process. To restore literally means to build up again and this was the primary

impetus behind the Wesleyan revival that arose within the Church of England during the

eighteenth century. The Wesley brothers spearheaded a movement of spiritual renewal aimed at

building up the church for the work of God’s mission in the world.

The purpose of this essay is

to examine the language of renewal in the hymns of Charles Wesley and to identify the salient

elements of restoration, recovery, and renewal in his lyrical theology.

The Language of Renewal

An exhaustive analysis of Charles Wesley’s own “concept of renewal” here is hardly

thinkable. So I am imposing two rather serious limits to the linguistic analysis of this study. First,

The Wesleyan tradition as a movement of renewal in the church continues to invite

thoughtful studies. See Paul W. Chilcote, ed., The Wesleyan Tradition: A Paradigm for Renewal

(Nashville: Abingdon Press, 2002); cf. Howard Snyder, Signs of the Spirit: How God Reshapes

the Church (Grand Rapids: Zondervan, 1989) and his earlier work, The Radical Wesley and

Patterns of Church Renewal (Grand Rapids: Francis Asbury Press, 1987). With regard to the

theological underpinnings of the Wesleyan paradigm of renewal, see Paul W. Chilcote,

Recapturing the Wesleys’ Vision: An Introduction to the Faith of John and Charles Wesley

(Downers Grove, IL: InterVarsity Press, 2004) and Paul W. Chilcote, A Faith That Sings:

Biblical Themes in the Lyrical Theology of Charles Wesley (Eugene, OR: Cascade Books, 2016).

I examine Charles’s use of terms such as renew, restore, and revive (and their derivatives or

cognates) in order to glean a roadmap for a larger exploration of his concept of renewal.

Secondly, I restrict myself to one primary, albeit pervasively influential source, namely, the 1780

Collection of Hymns for the Use of the People Called Methodists.

This Collection constitutes a

body of lyrical material well-known and formational within the life of the movement; the hymns

included in this Collection shaped the definition and ethos of the Methodist people, perhaps,

more than any other. While I fully recognize the limitations and dangers of this design, I am also

convinced of its benefits, and the portrait of renewal that emerges is both authentic and

compelling.

A detailed examination of the Collection as a whole reveals some interesting facts which

lead to several broad but significant generalizations related to the concept of restoration. The

verb “to renew” (in the form renew[s] and renewed) appears thirty-four times in the hymns of the

Collection.

Wesley uses the language of renewal primarily with regard to the change of one’s

heart (six instances) and the restoration of love (six instances). These two categories dominate

this particular set of hymns, especially when hymns that reference similar concepts, such as the

renewal of the mind, spirit, soul, or self (corollary to the heart) and hymns that emphasize the

recovery of holiness and the image of Christ (corollary to love), are included. Taken together,

these two categories constitute two-thirds of these hymns. In addition to this, Charles also prays

Franz Hildebrandt & Oliver A. Beckerlegge, eds., The Works of John Wesley. Volume 7.

A Collection of Hymns for the Use of the People Called Methodists (Oxford: Clarendon Press,

1983; hereinafter Collection). Hymn texts presented here are those which appeared in the first

edition of the original source; all bibliographical references refer both to the original location of

the hymn and the location of the text in the Collection. I have used “Charles Wesley’s Published

Verse,” Duke Center for Studies in the Wesleyan Tradition website, prepared and introduced by

Randy L. Maddox, with the assistance of Aileen F. Maddox, with thanks for this amazing

resource: https://divinity.duke.edu/initiatives/cswt/charles-published-verse.

Collection, Hymns 60, 69, 89, 105, 118, 138, 152, 227, 243, 248, 253, 286, 292, 294,

303, 312, 314, 331, 334, 343, 346, 351, 362, 389, 398, 404, 445, 461, 465, 467, 479, 496, & 522.

for the renewal of strength, vigor, or labor (six hymns) and emphasizes God’s work in the more

cosmic dimensions of renewal. But these hymns demonstrate that Wesley conceives renewal

primarily in terms of a personal, interior, and spiritual change.

Charles’s preferred terminology with regard to renewal, however, revolves around the

concept of “restoration” (seventy-seven instances of restore[s], restored, Restorer, unrestored,

and All-restoring in sixty-one hymns).

Here again, the two categories previously discussed are

preponderant. Fifteen hymns refer to the interior restoration of love, holiness, perfection, purity,

or the image of God. Thirteen hymns describe the restoration of the soul, spirit, or self. Most of

the remaining hymns elevate the personal dimension of God’s restorative work as well – the

recovery of life, peace, health, and most importantly, paradise or heaven (seven hymns). Wesley

identifies the source of restoration in seven hymns, celebrating the fact that we are restored by

grace, by Jesus or Jesus’ blood, and by the action of God – the “All-restoring.” Only three hymns

refer to the restoration of God’s kingdom, the universal restorative work of God in nature, and

the eschatological consummation of all things in Christ. Interestingly, nearly half these hymns

are couched in the past tense – “restored” – with the implication that the renewal is an

accomplished fact. While Charles affirms an eschatological “not yet” with regard to the

restorative work of the Triune God, he also alludes to the present reality of restoration, a

dimension of God’s work to be celebrated. Wesley casts almost all his uses of the term “restore”

in the form of prayer, as in “Thine image to my soul restore.”

In these hymns the singer yearns

Collection, Hymns 9, 38, 56, 59, 60, 63, 72, 87, 95, 98, 103, 105, 106, 119, 129, 159,

163, 164, 166, 167, 172, 173, 179, 199, 203, 211, 219, 243, 248, 253, 266, 282, 321, 333, 345,

346, 353, 357, 358, 364, 374, 378, 383, 385, 390, 396, 398, 414, 420, 435, 440, 449, 461, 468,

498, 510, 511, 514, 519, 520, & 522.

Hymns and Sacred Poems (Bristol: Farley, 1742), 68, stanza 6; Collection, Hymn 106:6.

for restoration and reaches out toward it in hope with great expectation.

In a number of these hymns Wesley enhances this “language of renewal” with

compounded or multiple uses of these terms. Several selections from a dozen such hymns suffice

to illustrate Charles’s exploitation of the images through this device.

In his lyrical paraphrase of

the Aaronic blessing (Num 6:24-26), he prays:

Come, Father, Son, and Holy-Ghost,

One God in Persons Three,

Bring back the heavenly blessing, lost

By all mankind, and me:

Thy favour, and thy nature too,

To me, to all restore;

Forgive, and after God renew,

And keep us evermore.

Throughout his literary corpus, Charles employs a unique expression to define the outcome of

God’s restorative process. He describes the fully restored disciple as a transcript of the Trinity,

one of his most poignant metaphors. Without using that specific language, one of his hymns on

the Trinity articulates this portrait of the redeemed child of God:

Thy powerful, wise, and loving mind

Allusions to “revival,” “retrieval,” and “recovery” lead to the same conclusions. In

addition to the simple affirmation of the process being God’s work (four hymns), Charles’s use

of the term “revive” (eleven hymns) connotes new life or resurrection for the believer more than

any other emphasis. See Collection, Hymns 38, 44, 57, 159, 210, 243, 368, 424, 440, 477, 505,

He provides a panoply of images associated with the concept of “retrieval” (twelve hymns). See

Collection, Hymns 3, 6, 32, 89, 166, 192, 198, 261, 333, 346, 449, & 515. God retrieves us in the

sense of saving us from sin, ruin, the loss of Eden, hell, the Tempter’s power, and Satan’s hands;

positively, God retrieves for us our souls, his favor, his love, and preponderantly (three hymns),

his image. Texts related to “recovery” (just four hymns including the terms “recover” and

“recovered”) focus on peace, love, and purity – finding one’s way home. See Collection, Hymns

71, 167, 360, & 461.

See Collection, Hymns 38, 60, 105, 159, 243, 248, 253, 346, 398, 440, 461, & 522.

Short Hymns on Select Passages of the Holy Scriptures (Bristol: Farley, 1762), 1:60,

Hymn 200, originally a single eight-line poem; Collection, Hymn 243:1-2. Emphasis added.

Did our creation plan,

And all the glorious Persons join’d

To form thy fav’rite, man.

Again thou didst, in council met,

Thy ruin’d work restore,

Establish’d in our first estate,

To forfeit it no more:

And when we rise in love renew’d,

Our souls resemble thee,

An image of the Tri-une God

To all eternity.

Two couplets from another Trinity hymn succinctly reiterate this salient conception of

restoration:

Restorer of thine image lost,

Thy various offices make known;

----

O that we now in love renew’d,

Might blameless in thy sight appear.

In a composite lyrical exposition of Psalm 130:8 and Jeremiah 4:1, Wesley tersely

describes the holistic consequences of spiritual renewal, implied in the supplication of the child

of God: “My fallen nature renew” and “Thy kingdom now restore!”

This conjunction of

personal and cosmic dimensions of renewal pervades Wesley’s thinking, as we shall see. In a

hymn “For Children” he weaves together the language of recovery, restoration, and renewal in

this moving prayer:

Answer on them the end of all

Our cares, and pains, and studies here,

On them, recover’d from their fall,

Stampt with the humble character,

Hymns on the Trinity (Bristol: Pine, 1767), 58, Hymn 87:2-3; Collection, Hymn 248:4-

6. Emphasis added.

Trinity Hymns, 98-99, Hymn 14:1 & 4; Collection, Hymn 253:1 & 4. Emphasis added.

Scripture Hymns, 1:279, Hymn 881:1 and 2:11, Hymn 1178; Collection, Hymn 398:1

& 4. Emphasis added.

Rais’d by the nurture of the Lord,

To all their paradise restor’d.

Error and ignorance remove,

Their blindness both of heart and mind,

Give them the wisdom from above,

Spotless, and peaceable, and kind,

In knowledge pure their minds renew,

And store with thoughts divinely true.

In just over one hundred hymns of the Collection (about one out of five hymns), Wesley

uses forms of the verbs renew, restore, and revive. The location of these hymns in the volume

reveals some interesting facts. First, these hymns appear in every section of the Collection except

for one – “Describing Hell” (perhaps no surprises here). This fact, at the very least, demonstrates

the pervasiveness of these themes. Half the hymns, however, appear in just five of the twenty-

nine sections. Sixteen hymns are found in Part IV. Section VII. For believers groaning for full

redemption and thirteen are drawn from Part IV. Section I. For believers rejoicing. These

constitute nearly a third of the hymns related to renewal. Fourteen hymns come from two

sections (seven hymns each), both of which focus on the process of being “brought to birth.” The

remaining seven hymns relate to the intercessory ministry of the believer.

It is somewhat dangerous to draw anything but very broad generalizations from this kind

of analysis, but two conclusions can be made boldly and without qualification. First, the theme of

restoration or renewal pervades this Collection. For comparative purposes, a parallel analysis of

the term “faith,” which could easily be argued the most central theme of the Wesleyan revival,

appears in 120 hymns in this corpus, not that much more in number than the set of hymns we

have been exploring here. Secondly, these hymns that allude to restoration and renewal focus the

Hymns for Children (Bristol: Farley, 1763), 35-36, Hymn 40:2-3; Collection, Hymn

461:2-3. Emphasis added.

singer on the goal of the fullest possible restoration and the joy that accompanies it. While this is

primarily personal and interior, it is not exclusively so.

These are some of the conclusions we can draw from this raw data, the minute detail,

related to the language of renewal in the Collection. Of greater significance, however, are the

major themes that revolve around these images. Three particular themes – distinct but

inseparable from one another – characterize Wesley’s concept of renewal: the restoration of

perfect love in the child of God, the recovery of God’s rule, and the revival of the church as

God’s instrument of renewal in the world.

“To Perfect Love Restored”

In several selections from Hymns and Sacred Poems (1742), Wesley describes the

condition of “a poor sinner.” The heading for his lyrical paraphrase of Revelation 3:17 simply

replicates the verse: “Wretched, and miserable, and poor, and blind, and naked.” In order to

properly envisage the goal toward which restoration moves, one must consider humanity’s loss

and the plight of the human condition. The opening stanzas of this hymn describe the fallen state

of humanity in graphic terms and concludes that humanity “gasps to be made whole.” In the face

of human desperation, Charles offers this vision of renewal in love:

In the wilderness I stray,

My foolish heart is blind,

Nothing do I know; the way

Of peace I cannot find;

Jesu, Lord, restore my sight,

And take, O take the veil away,

Turn my darkness into light,

My midnight into day.

Naked of thine image, Lord,

Forsaken, and alone,

Unrenew’d, and unrestor’d

I have not thee put on:

Over me thy mantle spread,

Send down thy likeness from above,

Let thy goodness be display’d,

And wrap me in thy love.

Jesu, full of truth and grace,

In thee is all I want:

Be the wanderer’s resting-place,

A cordial to the faint;

Make me rich, for I am poor,

In thee may I my Eden find,

To the dying health restore,

And eye-sight to the blind.

Cloath me with thy holiness,

Thy meek humility,

Put on me thy glorious dress,

Endue my soul with thee;

Let thy image be restor’d,

Thy name, and nature let me prove,

With thy fulness fill me, Lord,

And perfect me in love.

Unrenewed and unrestored, those who are blind and lost in the wilderness seek

wholeness. First, God restores sight. Next, God offers companionship for a journey leading back

to Eden – a process that restores health. The ultimate goal is the restoration of the image of God

which solicits the supplication of the singer, “With thy fullness fill me, Lord, / And perfect me in

love.” This hymn essentially explicates the via salutis as a process of restoration. Wesley

conflates this pathway toward wholeness into the four lines of a hymn based on Matthew 14:36:

Come, Saviour, come, and make me whole,

Intirely all my sins remove,

To perfect health restore my soul,

To perfect holiness and love.

HSP (1742), 44-45, stanzas 4-5, 7-8; Collection, Hymn 105:3-4, 6-7.

Scripture Hymns, 2:170, Hymn 171, lines 5-8; Collection, Hymn 396:8.

This theme of “love restored” dominates the lyrical theology of Charles Wesley. He views this as

God’s most treasured promise. In a lyrical paraphrase of Micah 7:20 he enunciates this first

element in his concept of renewal:

Let us to perfect love restor’d

Thine image here retrieve,

And in the presence of our Lord

The life of angels live.

I have no need to fully explicate this central Wesleyan theme (of both brothers) as it has been

explored in great detail.

Several important observations about this aspect of restoration are

germane, however, and well-illustrated with hymns from the Collection.

The restoration of the heart. One of Wesley’s more famous hymns which appeared in a

number of collections, including that of 1780, expresses his most mature vision of a life restored

to perfect holiness or love:

O for a heart to praise my God,

A heart from sin set free!

A heart that always feels thy blood,

So freely spilt for me!

Scripture Hymns, 2:89, Hymn 1376; Collection, Hymn 333:2.

For works that provide analysis of Charles Wesley’s doctrine of sanctification and

perfect love, see J. Ernest Rattenbury, The Evangelical Doctrines of Charles Wesley’s Hymns

(London: Epworth Press, 1941), especially 278-307, and Chilcote, A Faith That Sings, especially

60-70, 122-37. The most important comprehensive examination of this theme is John R. Tyson,

Charles Wesley on Sanctification: A Biographical and Theological Study (Grand Rapids: Francis

Asbury Press, 1986). Several articles also explore this doctrine in the theology of Charles

Wesley: John R. Tyson, “’The One Thing Needful’: Charles Wesley on Sanctification,”

Wesleyan Theological Journal, 45, 2 (Fall 2010): 177-95; Paul W. Chilcote, “‘All the Image of

Thy Love’: Charles Wesley’s Vision of the One Thing Needful,” Proceedings of The Charles

Wesley Society 18 (2014): 21-40; S T Kimbrough, Jr., “Charles Wesley and the Journey of

Sanctification,” Evangelical Journal 16 (Fall 1998):49-75; Roy S. Nicholson, “The Holiness

Emphasis in the Wesleys’ Hymns,” Wesleyan Theological Journal 5, 1 (Spring 1970): 49-61;

and J. Richard Watson, “The Presentation of Holiness and the Concept of Christian Perfection in

the Sermons and Hymns of the Wesleys, 1730-1780,” in Transforming Holiness (Dudly, MA:

Peeters, 2006), 81-94.

A heart in every thought renewed

And full of love divine,

Perfect and right and pure and good,

A copy, Lord, of thine.

Thy nature, gracious Lord, impart;

Come quickly from above;

Write thy new name upon my heart,

Thy new, best name of Love.

Given the fact that whatever is written on the heart reflects the true character of the person, God

must restore, or transcribe, the heart fully. This hymn celebrates the heart of the believer – the

heart upon which God has written the law of love. God writes on the heart, shapes the character,

forms the disciple – restores the image of Christ in the child. In a hymn most likely written for

Elizabeth Carr, whom Wesley baptized in the river at Cowley near Oxford in 1748, he prays:

Father, all thy love reveal,

Jesus all thy mind impart,

Holy Ghost, renew, and dwell

Forever in her heart.

The restoration of the image of Christ. In a hymn from the section of the Collection

related to “groaning for full redemption,” Charles appeals to the Trinity to bring this great work

to completion:

Father, Son, and Holy-Ghost,

In council join again

To restore thine image, lost

By frail apostate man:

O might I thy form express,

Thro’ faith begotten from above,

Stampt with real holiness,

And fill’d with perfect love!

HSP (1742), 30–31, on Psalm 51, stanzas 1, 4 & 8; Collection, Hymn 334:1, 4 & 8.

Hymns and Sacred Poems, 2 vols. (Bristol: Farley, 1749), 2:246, Hymn 418:2;

Collection, Hymn 465:2.

Scripture Hymns, 1:4, Hymn 5, on Gen 1:26; Collection, Hymn 357:4.

These images actually pervade this section of the hymnal as Charles explores the many

dimensions of redemption’s goal. He concludes a twenty-stanza reflection on “the mind of

Christ,” based upon Philippians 2:5, with this confident affirmation:

I shall fully be restor’d

To the image of my Lord,

Witnessing to all mankind,

Jesu’s is a PERFECT mind.

The phrase “restoration of the image of Christ,” the positive expression of his “renewal of our

fallen nature,” reflects the heart of Wesley’s vision of “the one thing needful.”

The Restoration of Christ-like Love. Restoration of the image of Christ implies

Christ-likeness.

In a hymn which he located in the section on “full redemption” for the two-

volume Hymns and Sacred Poems published in 1749, Wesley explicitly connects this restoration

with conformity to Christ:

We rest on His word

We shall here be restored

To His image; the servant shall be as his Lord.

Those who bear the image of Christ conform to him in mind and life, and more than anything

else, this infers Christ-like love. The “believer brought to the birth” cries out: “O cut short the

work, and make / Me now a creature new! . . . Let my life declare thy power; / To thy perfect

love restored.”

Hymns in the “believers rejoicing” section of the Collection are replete with

HSP (1742), 223; Collection, Hymn 345:13.

For Wesley, a restored loving spirit is “the one thing needful,” and his famous sermon

of this title provides a helpful outline for an exploration of holiness and sanctification from his

perspective. See Kenneth G. C. Newport, The Sermons of Charles Wesley: A Critical Edition

with Introduction and Notes Oxford: Oxford University Press, 2001), 360-68.

In this section I develop themes first explored in an article entitled “‘Claim Me for Thy

Service’: Charles Wesley’s Vision of Servant Vocation,” Proceedings of The Charles Wesley

Society 11 (2006-2007): 69-85.

HSP (1749), 2:179; Collection, Hymn 25:7.

HSP (1742), 240-41, stanza 4; Collection, Hymn 390:2. The penultimate line of this

references to “love renewed,” several of them drawn from the Trinity hymns. “O that we now in

love renew’d / Might blameless in thy sight appear.”

Another from this collection echoes

themes already explored:

And when we rise in love renew’d,

Our souls resemble thee,

An image of the Tri-une God

To all eternity.

As one hymn explaining the purpose of life puts it so succinctly: “[We] rise renewed in perfect

love.”

This personal, spiritual restoration of love divine in the heart of the believer is so central

and so pervasive that there is a sense in which all other aspects of renewal occupy a space

secondary to this. But this is not fully true; this only reflects part of the story of God’s work of

restoration. The spiritual renewal of the person from the inside out – this heart work – leads, or

should lead, to robust engagement in God’s rule and reign in the world. The defining elements of

Jesus’ life and ministry revolved around the kingdom of God – preached and lived. In this

gospel, personal salvation was only the opening act, so to speak, of the much larger drama of

redemption. God makes a way possible for the recovery of a partnership abandoned by God’s

children, therefore, if those children are to live out their lives – their vocation – with integrity in

the world.

“Thy Kingdom Now Restore”

stanza originally read, “Born of God, renew’d, restor’d.”

Trinity Hymns, 99, Hymn 14:4; Collection, Hymn 253:4.

Trinity Hymns, 58, Hymn 87:3; Collection, Hymn 248:6.

HSP (1749), 2:279; Hymn 203:3; Collection, Hymn 496:3.

Perry Shaw, a noted theological educator and proponent of integrated, missional models

of education, identifies the core aspects of God’s continuing work into which we are all invited:

The mission of God is the starting point of our identity and calling. The important

thing is not what we are doing but what God is doing in this world. God’s creative and

redemptive agenda is the consummate restoration of the good. In the revelation of his

divine Triune character of love and holiness, and in as much as we are attuned to his

nature, we are able to discover our true identity. God entrusts us to partner with him in

the accomplishment of his mission—the extension of his shalom Kingdom.

“Perfect love restored” not only entails the transformation of individual persons and their

reconciliation with God through Christ in the power of the Spirit, it also involves the whole

community of faith living into this larger redemptive narrative in partnership with God. Charles,

like his brother, opposed any truncation of the gospel that failed to acknowledge this parallel

calling – the proclamation and performance of God’s shalom in an unjust and discordant world.

While he seldom employed language typically used today with regard to this aspect of renewal –

this engagement in the reign of God – his hymns address a wide range of concerns related to

God’s kingdom.

Acts of justice and compassion vanquish evil and despair in God’s economy,

and Charles calls for those in the community of faith to practice them perennially in their

commitment to God’s rule.

Various forms of injustice and circumstances of despair clamored for attention in

Wesley’s day, in particular, hunger, poverty, slavery, and war. As one might well expect, several

hymns from the section of the Collection entitled “For Believers Interceding for the World”

Perry Shaw, “Holistic and Transformative: Beyond a Typological Approach to

Theological Education,” Evangelical Review of Theology 40, 3 (July 2016): 211.

See my discussion of this in A Faith That Sings, 106-21 (Chapter 8: Dominion:

Situated in God’s Shalom); cf. Paul W. Chilcote, “Charles Wesley and the Peaceable Kingdom,”

Proceedings of The Charles Wesley Society 21 (2017): [forthcoming].

address this issue, but none more potently than Charles’s lyrical paraphrase of Isaiah’s vision of

the peaceable kingdom (11:6-7):

Prince of universal peace,

Destroy the enmity,

Bid our jars and discords cease,

Unite us all in thee.

Cruel as wild beasts we are,

’Till vanquished by thy mercy’s power,

We, like wolves, each other tear,

And their own flesh devour.

But if thou pronounce the word

That forms our souls again,

Love and harmony restored

Throughout the earth shall reign;

When thy wondrous love they feel,

The human savages are tame,

Ravenous wolves, and leopards dwell

And stable with the lamb.

Likewise, Wesley produced an amazing body of hymnody related to the poor, calling forth the

compassion of all within the family of Jesus.

Just one example from the Collection must suffice

here – Charles’s reflections on James 1:27:

Thy mind throughout my life be shewn,

While listening to the wretch’s cry,

The widow’s and the orphan’s groan,

On mercy’s wings I swiftly fly,

The poor and helpless to relieve,

My life, my all, for them to give.

An affective experience of God’s rule in one’s heart and an outward performance of the kingdom

through works of justice and compassion defined Wesley’s vision of shalom, and he considered

both dimensions to be essential to the recovery of peace and harmony in the world.

Scripture Hymns, 1:316, Hymn 989:2; Collection, Hymn 436:2.

See S T Kimbrough, Jr., “Charles Wesley and the Poor,” in The Portion of the Poor:

Good News to the Poor in the Wesleyan Tradition, edited by M. Douglas Meeks (Nashville:

Kingswood, 1995), 147-67.

Scripture Hymns, 2:380, Hymn 738:2; Collection, Hymn 354:4.

A hymn written by Henry More, a seventeenth-century Cambridge Platonist, and adapted

by John Wesley, was most likely included among the intercessory hymns of the Collection

because of its focus on the recovery of God’s rule in this world:

On all the earth thy Spirit shower;

The earth in righteousness renew;

Thy kingdom come, and hell's o'erpower,

And to thy sceptre all subdue.

Charles declares his trust and hope in God’s promise in a stellar hymn on the Incarnation:

All glory to God in the sky,

And peace upon earth be restor’d!

O Jesus, exalted on high,

Appear our omnipotent Lord:

Who meanly in Bethlehem born,

Didst stoop to redeem a lost race,

Once more to thy creature return,

And reign in thy kingdom of grace.

But there is an eschatological dimension of this kingdom work, as well, and Wesley’s vision of

God’s rule extended far beyond this earthly realm.

God’s restoration extends, in fact, to the entire cosmos, a concept Charles links with the

image of new creation in 2 Corinthians 5:17. On November 1, 1755 a devastating earthquake hit

Portugal, and the shock waves quickly spread, both literally and figuratively, across Europe.

Once word of this tragedy reached Britain, King George II declared February 6, 1756 a day of

fasting and prayer. Early in the new year, Charles published a set of seventeen hymns designed

for use on this day.

He published two of these hymns which enunciate an apocalyptic theme in

the section describing judgment in the Collection:

Hymns and Sacred Poems (London: Strahan, 1739), 187, stanza 12; Collection, Hymn

445:1. See the note on this hymn in Works, 7:623-24.

Hymns for the Nativity of our Lord (London: [Strahan], 1745), 23, Hymn 18:1;

Collection, Hymn 211:1.

See the Editorial Introduction to this collection of hymns:

Every fresh alarming token

More confirms thy faithful word,

Nature (for its Lord hath spoken)

Must be suddenly restor’d:

From this national confusion,

From this ruin’d earth and skies,

See the times of restitution,

See the new creation rise!

In the second hymn Charles anticipates the joy of those who have aligned themselves with the

purposes of God on the day of the Lord. The partner of God

Sees this universe renew’d,

The grand millennial reign begun,

Shouts with all the sons of God

Around th’ eternal throne.

Resting in this glorious hope

To be at last restor’d

Yield we now our bodies up

To earthquake, plague, or sword.

One of Wesley’s hymns entitled “At the Parting of Friends,” and included in the final

section of the Collection, reflects the apex of his lyrical account of the consummation. This

hymn is replete with the language of restoration and renewal:

These eyes shall see them fall,

Mountains, and stars, and skies,

These eyes shall see them all

Out of their ashes rise;

These lips his praises shall rehearse,

Whose nod restores the universe.

According to his word,

His oath to sinners given,

We look to see restor’d

The ruin’d earth and heaven,

https://divinity.duke.edu/sites/divinity.duke.edu/files/documents/cswt/54_Hymns_for_the_Year_

1756.pdf.

Hymns for the Year 1756; Particularly for the Fast-Day, February 6 (Bristol: Farley,

1756), 22, Hymn 15:5; Collection, Hymn 59:3.

Hymns for the Year 1756, 23, Hymn 16:3-4; Collection, Hymn 60:3-4.

In a new world his truth to prove,

A world of righteousness and love.

Then let us wait the sound

That shall our souls release,

And labour to be found

Of him in spotless peace,

In perfect holiness renew’d,

Adorn’d with Christ, and meet for God.

“Build Up Thy Rising Church”

Wesley could not conceive any form of restoration outside the framework of the church –

the community of God’s faithful people.

Now, Jesus, now thy love impart,

To govern each devoted heart,

And fit us for thy will:

Deep founded in the truth of grace,

Build up thy rising church, and place

The city on the hill.

Embracing God’s gift of faith which leads to holiness of heart and engaging in partnership with

God in the realization of shalom – holiness of life – only become real as these practices are lived

out in community and in the concrete realities of life. While Wesley clearly affirmed that God’s

nod can, in and of itself, restore an entire universe, he also believed that God chose to include the

church in this work – “to serve the present age.”

While God will most certainly bring all things

to completion in the end, the present affords the church ample opportunity to reflect God’s work

of restoration now. Moreover, the success of the church in this vocation depends, in large

measure, on its ability to diagnose the condition of the church and to reclaim its true calling in

Hymns for those that seek, and those that have Redemption in the Blood of Jesus Christ

(London: Strahan, 1747), 61, Hymn 48:6-8; Collection, Hymn 522:6-8.

Scripture Hymns, 2:432; Hymn 870:5; Collection, Hymn 512:5. Emphasis added.

Scripture Hymns, 1:58, 188; Collection, Hymn 309:1.

the mission of God. Wesley’s desire to revive primitive Christianity and to reclaim a missional

vision of the church emanate from these concerns.

Primitive Christianity. Charles, like his brother, came to the conclusion that their beloved

Church of England had abandoned its first love. They contended that circumstances coalesced in

a way that compromised the spiritual vitality of the church. Their vision was truly “ancient-

future,” more concerned about a way forward filled with hope than a critique of the church’s

malaise or faithlessness, and they drew their vision from the earliest Christian communities of

the New Testament. While the church, in some measure, retained the form of the primitive faith

– something that lay dormant in its statements of faith and neglected practices of worship and

discipleship – it had lost the power of godliness. In the face of this challenge, the Wesleys raised

up a movement of renewal with the intention of rediscovering Christian authenticity.

In 1743, at the outset of this revival, John Wesley published An Earnest Appeal to Men of

Reason and Religion to defend the Methodist movement against the claim that the he and his

brother were attempting to undermine the established church. In his second edition of this tract

he appended a poem of his brother entitled “Primitive Christianity.” In this lengthy composition

Charles articulated the ideal of Christian faith and practice that the Methodists were trying to

emulate and restore. This poem functions as a manifesto of renewal for the movement, structured

In addition to the resources listed in fn. 1 above, see several of my previous articles

that examine the Wesleyan paradigm of renewal from multiple angles: “The Wesleyan Revival

and Methodism in Cuba,” [with Phil Wingeier-Rayo] Quarterly Review 17, 3 (Fall 1997): 207-

21; “An Early Methodist Community of Women,” Methodist History 38, 4 (July 2000): 219-230;

“Error! Main Document Only.Wesleyan and Emergent Christians in Conversation: A Modest

Proposal,” The Epworth Review 36, 3 (July 2009): 6-25; and “Lessons from the ‘Society

Planting’ Paradigm of Early Methodist Women,” Witness: Journal of the Academy for

Evangelism in Theological Education 27 (2013): 5-30.

in large measure on the outline of 1 Peter 2, and parallel in thought and aspiration to John’s The

Character of a Methodist.

The poem – Hymns 16 and 17 of the Collection – is presented there in its original two-

segment division, Part I in fourteen and Part II in sixteen stanzas.

The opening line, “Happy the

souls that first believed” establishes primitive Christianity as the ideal and pattern for Charles’s

(and John’s) reparative mission. “Still let us in thy Spirit live,” he sings, “And to thy church the

pattern give.”

Elsewhere he moves beyond aspiration to prescription with regard to this pattern

and identifies some of its constitutive elements:

Let us each for other care,

Each his brother’s burthen bear,

To thy church the pattern give,

Shew how true believers live.

Free from anger, and from pride,

Let us thus in God abide,

All the depth of love express,

All the height of holiness.

Reflecting nostalgically on the “golden days” of Jesus’ first followers in the primitive church, he

simply asks, “Where shall I wander now to find / The successors they left behind? (lines 17-18)”

and then demands, “show me where the Christians live” (line 24).

This classic tract is available in many editions and multiple formats. A digital version

may be accessed at https://www.umcmission.org/Find-Resources/John-Wesley-Sermons/The-

Wesleys-and-Their-Times/The-Character-of-a-Methodist. See also Steve Harper’s concise and

compelling summary of the characteristics Wesley sets forth in the document: Five Marks of a

Methodist: The Fruit of a Living Faith (Nashville: Abingdon Press, 2015).

Charles Wesley, “Primitive Christianity,” in John Wesley, An Earnest Appeal to Men

of Reason and Religion, 2nd edn. (Bristol: Farley, 1743), 52–55; Collection, Hymns 16 & 17.

Hymns for the Use of Families (Bristol: Pine, 1767), 14, Hymn 12:2; Collection, Hymn

477:2.

HSP (1749), 1:248, Hymn 147:4-5; Collection, Hymn 495:4-5.

The editors of the definitive edition of the Collection indicate the potential connection

here with Antoinette Bourginon and the similar question she poses in Light of the World. See

Works, 7:99, notes on the respective lines.

He contrasts “a pure, believing multitude” (line 10) – his definition for the authentic

community of faith – with “different sects” (line 21) which peddle a false gospel devoid of the

“genuine mark of love” (line 26). Charles celebrates the signs of God’s re-edifying presence (re-

building the community of faith) among the Methodist people and endorses a classical vision of

ecclesia semper reformanda.

While little direct critique of the Church of England will be found

in this poem – Charles was a consummate son of the Church – in other hymns of the Collection

he points to the pressing need of reform. The church’s heart, he claims, like the heart of every

individual, must to be transformed. “To all thy church and me,” he pleads, “Give a new,

believing heart / That knows and cleaves to thee.”

“Fill our church with righteousness,” he

prays, “Our want of faith supply.”

A healthy church is a faithful church. But Charles knew his

own church well enough to know that its deficiencies were not limited to benign neglect or

spiritual amnesia; there were also forces within the church that were antithetical, in his view, to

God’s mission in the world. Like his Puritan forebears, he yearned for the church to be a pure as

well as a faithful community of God’s people.

He exposed hypocrisy and corruption in the church, therefore, and applied a more radical

prescription in hopes of recovery. Reflecting on the image of the church as the temple, as

described in Jeremiah 7, he unleashed one of his most scathing criticisms of leaders within the

church whose attitudes and actions were antithetical to the gospel:

The men who slight thy faithful word

In their own lies confide,

These are the temple of the Lord,

See “Semper Reformanda: The Wesleys and Renewal,” World Christianity and the

Fourfold Gospel 4, 2 (September 2017): [forthcoming] in which I examine the classic aspects of

reform that defined the Wesleyan revival and connect it with movements of reform which

preceded it.

Scripture Hymns, 2:25; Hymn 1211:1; Collection, Hymn 172:2.

Scripture Hymns, 1:331; Hymn 1025:1; Collection, Hymn 454:1.

And heathens all beside!

The temple of the Lord are these,

The only church and true,

Who live in pomp, and wealth, and ease,

And Jesus never knew.

The temple of the Lord—they pull

Thy living temples down,

And cast out every gracious soul

That trembles at thy frown:

The church—they from their pale expel

Whom thou hast here forgiven:

And all the synagogue of hell

Are the sole heirs of heaven!

Despite malaise and disease in the church, Charles believed that a faithful remnant could

always be found. Even among dry bones, the Spirit was at work to raise up authentic followers of

Jesus “to spread / The dead-reviving news.”

God would send this “chosen band” through every

nation, leaving no one behind, and restoring everyone who responded in faith to their “first

estate.”

Charles believed that God was restoring the church through the people called

Methodists and that they were “Raised by the breath of love divine.” “We urge our way with

strength renew’d,” he claimed, “The church of the first-born to join.”

Missional Vision. Charles and his brother rediscovered a “mission-church paradigm” in

their own day.

As I have written elsewhere:

Scripture Hymns, 2:13-14; Hymn 1185:1-2; Collection, Hymn 91:1-2. The second

stanza quoted here does not appear in the Collection, but is included from the original for

emphasis. In the Collection, the original eight-line stanzas were subdivided into two four-line

stanzas.

Scripture Hymns, 1:391; Hymn 1157:1; Collection, Hymn 440:1.

Scripture Hymns, 1:391-92; Hymns 1157, 1158, & 1159; Collection, Hymn 440:2-5.

Redemption Hymns, 52; Hymn 41:8; Collection, Hymn 69:6.

See my discussion of this central rediscovery of the Wesleys in “The Mission-Church

Paradigm of the Wesleyan Revival,” in World Mission in the Wesleyan Spirit, edited by Darrell

L. Whiteman and Gerald H. Anderson (Franklin, TN: Providence House Publishers, 2009), 151-

64 and “Missio Dei and the Wesleyan Mission-Church Paradigm,” in Missio Dei in the United

States: Toward a Faithful United Methodist Witness, edited by Kathy Armistead (Nashville:

They believed that God designed the church as a redemptive community, a family

that lives in and for God’s vision of shalom in the world. God calls the church to bear

witness to this dominion in every aspect of life. The church in this biblical paradigm

draws committed Christian disciples perennially to Jesus and to one another in

community for the purpose of spinning them out into the world in mission and service.

The singular goal of this church-as-mission, in Wesley’s understanding, is to partner with God in

the restoration of perfect love, in all its dimensions, in the life of the world. Faithfulness in this

adventure, which is both task and gift, entails an all-encompassing engagement of the disciple in

God’s reign. The difficult work of restoration claims of each disciple, “All I have and all I am.”

Charles Wesley invites every child of God into the grand narrative of God’s restoring work in

which the blind are restored, the deaf hear his voice, and the lepers are cleansed – in which God

makes all things new and establishes the rule of shalom. Moreover, he invites the community of

faith to celebrate the God “Who now is reviving His work in our days.”

New Room Books, General Board of Higher Education and Ministry, [forthcoming].

Chilcote, A Faith That Sings, 116.

Hymns on the Lord’s Supper (Bristol: Farley, 1745), 129, Hymn 155:3; Collection,

Hymn 418:3.

HSP (1749), 1:311, Hymn 197:11; Collection, Hymn 38:6. Emphasis added.